![\"\"](\"https:\/\/english.cpnn-world.org\/wp-content\/uploads\/2017\/04\/theatre-rev-150x150.png\")
<\/center><\/p>\nHere is a response to the question submitted to CPNN by Kiki Chauvin. <\/p>\n
The actor lives between two worlds, one of which is his proper existence and the other, the world of fiction where he takes on the role of his character. He seems to have one foot on each of them while his head collects, combines, mixes, synthesizes and puts together the emotions that are translated and expressed by body and voice. <\/p>\n
We get it directly, it is “in our face” with no escape possible! \u00a0The richness of this mixture “reality\/fiction” allows the artist to enter into us through hidden doors.<\/p>\n
Using texts with humor and irony, the actor passes messages to which our minds would otherwise be deaf! \u00a0He affects us, challenges us, plays with us, \u00a0provokes us, making our attention an accomplice of what he has to say.<\/p>\n
The direct contact and proximity, sometimes intimate, between stage and audience send us messages that we hear, questions that provoke us to transferring images to our daily experience, our reality, to “real life”!<\/p>\n
Thus we are pushed and shaken from calm to storm, from injustice to anger, from hatred to solidarity, \u00a0from indifference to empathy in the face of violence. <\/p>\n
Actors are in the public service. They are “Public Friends Number One!” They are chroniclers, “troublemakers,” \u00a0breakers of habit, forcing us to think things through. <\/p>\n
The culture of peace needs the oxygen of this youthful spirit! , \u00a0I believe that art in general, with its playfulness, has the power to awaken us. It is an excellent support to the promotion of the Culture of Peace. <\/p>\n
I love the theater, it is a space of freedom where actors can transmit an energy drawn from the conviction of what they say. <\/p>\n
We hear, receive, understand \u00a0for a digestion that may be immediate and \/or delayed. Some part is absorbed immediately, but the rest we take home with us. \u00a0. . . \u00a0and that is where the seeds of consciousness begin to germinate into the Culture of Peace.<\/p>\n<\/div>\n
Here are CPNN articles pertaining to this question:<\/p>\n
World Theatre Day March 27<\/a><\/p>\n Philippines: Theater, a tool for international understanding<\/p>\n <\/a>Mexico, Los Cabos, Baja California Sur: Theater show celebrated on Theater Day<\/a><\/p>\n M\u00e9xico, Los Cabos, Baja California Sur: Con muestra de trabajo esc\u00e9nico se celebr\u00f3 el D\u00eda del Teatro<\/a><\/p>\n From the \u201cjungle\u201d to the theater, refugees replay their exile to Europe<\/a><\/p>\n De la \u201cjungle\u201d au th\u00e9\u00e2tre, des r\u00e9fugi\u00e9s rejouent leur exil vers l\u2019Europe<\/a><\/p>\n \u2013 \u2013 \u2013 \u2013 Links for the following articles do not work because they were made by a version of PERL programming that is no longer supported. With three easy steps, you can find the article by its number. First, click on it before returning to this page. Your browser will say that the article is not available but in the address listed you can see that it was located at ViewArticle=xxxx where xxxx is the number of the article. Returning to this page, then click here<\/a> for the listing of all years. Then click on the year that contains the number for the article you seek. It will send you to the page where you can easily search for the article by its title. \u2013 \u2013 \u2013 \u2013<\/p>\n Interview with Ms. Cecile Guidote-Alvarez Director, UNESCO DREAM Center, Philippines<\/a><\/p>\n Shades, an Anti-war Play, Opens to Rave Reviews in Los Angeles<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":" Here is a response to the question submitted to CPNN by Kiki Chauvin. The actor lives between two worlds, one of which is his proper existence and the other, the world of fiction where he takes on the role of his character. He seems to have one foot on each of them while his head … Continue reading The theatre, How can it contribute to the culture of peace?<\/span>